Friday, January 23, 2015

Studio Work


Let's get ready for a great year of painting!


If you want to paint, but just cannot get in gear, your best inspiration may be as easy as a little art "housekeeping."  A little time organizing, cleaning and taking inventory of your supplies can give you that extra courage.

Let's clean house!

First of all, get rid of all the old ghosts of ideas that lost their appeal. 
If it is a painting and the unfinished image haunts you, gesso over it... several times or better yet, put it in the trash now! 
It is standing between you and your future enjoyment.  It has to go.

If you have photos and tear sheets and possibly a few sketches that have "cooled" to the point you really cannot recall the attraction to the subject, gather them together and put them in a folder and label it:
 "Ideas To Paint"
It can take years for an idea to assemble in your mind.  Until you can see it in your mind's eye, you should not try it with the exception of doing a few thumbnail sketches in your sketch book.

Make a folder for any other art ideas.  Arrange them in a neat order of current importance.
          Do not put them away.

"Putting away" is just another term for "burial."

Next, lets go thru all your paints.  Make a list of your colors.  On an index card, make a shopping list.
At the current cost of many paints, you may need to buy one tube at a time using a discount coupon.

Gather all your brushes and make a list.
Using a good art catalog such as
Dick Blick,
Cheap Joe's or
Jerry's Artarama,
make sure you have a good variety of styles, sizes and quality.


Real Brush Work!
Using a good brush soap take the spare bathroom sink for cleaning brushes.  Examine all brushes.  if they feel stiff, they may have dried paint in them.

Add water to soften the brush soap if it is a bar or in a jar.  Using lukewarm water begin with the dirtiest brushes and gently work soap into the bristles. 


Do not force this step or you may break dry brittle bristles.

I like to allow the soap to stay in each brush at least for an hour.  It will do a much better job as it softens old paint and conditions the delicate hairs or bristles.

Use the palm of your hand to rub each brush gently.  If the soap turns a color, you will know you are doing a good job of removing old pigment. 

If a brush still feels stiff after one or two washings, it may be necessary to allow the brush to lay on the counter with lots of wet soap in the bristles.  Allow it to sit overnight.

 Do not soak brushes in a jar or dish of water!!  

Once you have cleaned each brush, rinse well. 
The soap can have a bad effect on your paint.

Allow brushes to dry for several days.
 Do not stand them up as this will cause the moisture to get into the handle which can make the handle swell and become loose.  Once this happens the life of the brush is very much in danger.

The image shows a brush resting in the turp jar.... this is a very bad habit!!




Cleaning Your Turp Jar


I only do this once or twice a year.  It can be a very messy job so plan to gather all the cleaning supplies and do the cleaning outside.

You will need:
a extra clean jar or can
Fresh turpentine
disposable gloves
paper towels
several used Walmart bags

Allow the turp jar to sit overnight without moving so all the paint sediment will settle to the bottom.  Gently move it outside to begin clean-up.

Pour the turp into the clean jar or can until it begins to look dirty by pulling the sediment off the bottom of the turp jar.
Wearing gloves, nest several plastic shopping bags inside each other to avoid any leaks.  I sometimes put old newspaper in the bottom to soak up the muddy turp sludge.

Avoid shaking the jar so it does not splatter.  Using paper towel or tissues, remove the coil or wire basket from the turp jar.  Wipe clean putting all tissues in the bags.

Clean the turp jar the same way.  Once the turp jar is clean, dispose all rags, tissues and gloves in the same bags and tie shut.  Dispose of in the trash outside to avoid fumes in the house or studio.

Now you can pour the "cleaner turp" you took off the top back into the clean turp jar. 
Add enough new turp to cover the coil or basket by about 1/2"

The turp should not be any deeper as it will be too deep for most brushes and eventually damage the handle.

With your master supply list, take inventory of your mediums, tissues, gloves and turpentine. 
Don't forget to look for retouch varnish as well as final varnish for finished dry paintings.



Is your sketch book in good shape?  Is there room for plenty of new ideas?  How about your pencils and favorite sketching mediums?  Do you have a nice bag for keeps all these in a neat package and ready to go out in the sunshine for a great sketching experience this spring?



I sure hope so!  Nothing feeds the spirit like a quiet 15 minutes outside making a quick sketch of something that catches your eye... and heart!

Note, make sure all your supplies bags have your name and cell number on them.  You never know when you might leave them behind or join others who use the same brand names.

Organize!!

Get your palette box ready with a new disposable palette pad.  Take the cover off and put the ENTIRE pad into the box.  If you use one sheet, it will slide around and fold up making a huge mess!


Use pop-up tissues!!!  Having to stop to tear off a paper towel is a real mood-breaker. 
 Rags?  Only as a last resort.  Always move them out at the end of each paint session!  
They can be a fire hazard.

Buy all needs as they come on sale.  If your life would be lost without your paint supplies, keep extra in inventory.  You never know when that trip to the beach will happen so quickly that buying supplies would be inconvenient!



 This year I cleaned out my trusty old tackle box.  There were years of dust and leaves in the bottom.

Now that everything is clean and neat, I have a new confidence that I am sooo ready to paint!

My folding stool is in the car along with my plein air easel.  My hat is always in the back seat so bring on the sunshine, I am ready to paint!!



 What are we waiting on?

The nursing home does not do beach trips to paint !

 

www.donnapeters.com


Please invite your friends to join my blog.  

Who knows, you may gain a really great paint buddy in the deal!

Thank you!!!


And now, I am off to my favorite studio... the world of nature!

Love it!!

 





Monday, August 4, 2014

Summer with The Girls


Those of you who have painted with me in any of my oil or watercolour workshops, know that I usually share my theory that sharing your art is the best way to make it grow.  Life becomes filled with blessings when you introduce others to new ideas and the joy of living.



Life with a variety of people... 


I shared several days with a group of people with significant financial blessings.  I watched as they chased any possible lead for financial gain stepping over the blessings at their feet.  They left feeling poor and desiring happiness.



Others in my life have blessed me in so many new ways.

This group lives to serve others.  Many of them grow gardens and from dirt they not only watch the miracles of nature, but live in abundance.  They have more than they can consume and instead of tossing the excess to the side or hoarding it until it rots, they seek others that have an appreciation for good things and bless them with their excess.  I was one of the many people they blessed with their abundance.


Life brings new blessings


It all began with sharing a church pew with another family.  The grandmother told me how much she enjoyed her art.  I had painted several covers for our church bulletins for Christmas and Thanksgiving and found the exercise very rewarding.  With Father's Day approaching I asked Miss Rachelle if she would like to do the cover.  She was excited and maybe just a bit afraid of the project at first, but after sharing a couple of the right size sheets of watercolour paper she began to think about the possibilities.

By Father's Day Rachelle, the art was complete.  She also found a poem on the internet that expressed her feelings toward her own father.  With the help of a few good computer programs, combined, sized and designed a very special bulletin.






From this simple project grew a special 
group of 4 girls who wanted to learn to 
crochet, paint and just learn new things. 

  It was a perfect time to reach out and be a part of the life of their lives.  I had several weeks of waiting until the day when my daughter would donate her left kidney to her husband.  With worry consuming all of my own creative energy, the opportunity to spend time with Rachelle, Amber, Sophie and Morgan was a welcome relief.  With them I could still be creative, feel productive while the hours and days could quickly pass.

Watercolours soon became a Tuesday treat.  Walking the countryside we chose the abundant yellow daisies or Black Eyed Susans  for our first painting.  Once the paintings were finished and signed, they were worked into a note card design.  It was a perfect opportunity for us to talk about the importance of writing notes of thanks and what makes a note special and effective.

I'll let you admire the results.  Wish you could read a note I received from one of the girls.  It makes the last note from a new bride pale in comparison!!





 

Well done girls!!  I am so proud of you. 

And now it is time for school to start, art festivals begin for me in just a few weeks.  After a summer of going in new directions, I can celebrate my life with a few completed projects, new friends and feeling very blessed

As I have always warned those who paint with me: If you are anxious, tired or filled with fear, painting may not be the solution at the time.  Turn that energy into other great things.  In time your Creative Courage will return with renewed energy and I promise you will more than make up for lost time! 

Celebrate with me! The peaches are all gone.  Shared with friends, no one was wasted or lost.  I wish I could say the same for the hours we spend frozen in fear for things we cannot change.

Nervous energy at work!!  Yea! I finally got this project off my annual to do list!

 

 
Can't recall where I bought this old trunk for $15.
It took a week of real work, but  now it holds the remnants of many memories in my studio.
.
    





    

As for Paul and Pam?  The pains of the kidney surgeries are beginning to fade.  Their bodies work to adapt to the loss of a kidney with my daughter and the addition of what Paul calls "Miss Bean" to his body.  (This wash tub had been full of Pamela's peaches.)


 When we began this journey, we made many jokes about "Miss Bean" and the great kidney caper. Sayings like "it is better to give than receive" came to mind and we were warned that Pamela would suffer more after the surgery than Paul would.  

Is it indeed better to give than receive?

Pamela would say, "ABSOLUTELY"

and we agree!

 

 

 

 



Tuesday, May 27, 2014

Side Effects of Being An Artist

Side Effects of Being An Artist


Warning:
Never learn how to paint unless you have a sincere desire to live life to the fullest.

Most common side effects:

  • The desire to work on your off days
  • Happiness when others around you are grumpy and bored
  • Spend more money on paint brushes than chocolate....
  • Insatiable desire to find new colors
  • High intolerance of boring people
  • Better general health
  • Loss of spare bedroom
  • Unending desire to be with other artists and learn new techniques
In May about a dozen of us gathered on the back bay of Biloxi, Mississippi to paint..."Plein Air."

For most in the class, it was a first time experience and I worried for weeks before the class if the weather would be kind and if everyone would feel comfortable painting "on location."

The plans were to paint on location that Saturday and then under a pavilion the next day to add the finishing details to our 10 x 20" canvas landscapes.




The scene was simple, almost boring, but to the eyes of an artist, it was the best kind with plenty of room for interpretation and creative license. The pine tree was our subject.  Just enough unique twists and turns and asymmetry to make it interesting... just my favorite thing to paint!

Anything else in the composition would be changed to set the stage for a very fun painting...
                                               

               simple and totally fun to paint.


The location had all the right things... but we had to do a little research on location to know what would be the best elements to add... or subtract from the composition.

One of my favorite Gulf Coast plants is Palmetto:
Palemetto  
 
To avoid "gangrene" it was very important to select plants of different colors.

Brown Broom Sage


 For a wonderful accent, we found a bush with flowers the same orange red color of Trumpet Vine.  It was new to me and I still have not found the name:

Our mystery plant....
What appeared to be a somewhat simple or even boring scene became exciting and filled with life.  We even had the problem of leaving some things out:

A pair of Black Ducks feeding behind us as we painted.


If you are an artist, you know how it is to find a great view to paint on location.

The night before is like Christmas.  

Sleep comes slow as the mind races to explore the mental possibilities of the new painting.  To share the experience with others who have never had the opportunity to paint on location.... well, there is an added excitement.
 I was delighted to be the one to lead my friends into a new artistic experience.

Getting started in our plein air studio.


Lewis and I had planned for almost any weather event.  I encouraged everyone to wear old cotton loose fitting clothes.  A hat is a must.  Good shoes are never a bad idea. 
Add a cooler of water, snack bars and maybe bug spray and you are set for the day.
Lewis brought a canopy to give us some shade...something I rarely have when painting alone on location. 

Each artist brought a stool or folding stool.  
Learning to unfold the variety of outdoor easels was fun.  



Once everyone was set up and ready to paint,

 I demonstrated the wonderfully fun and easy way to paint a glorious Coastal sky:


And the day begins!!

It was a wonderful day.  Everyone was so happy they had taken this new and exciting approach to painting.  Lewis sat with all our easels while we took a trip down Popps Ferry Road to get some lunch.  I thought we would take a leisurely lunch, but it seems everyone was more excited to get back to their painting and the next steps which I demonstrated one at a time.




After each demonstration everyone began that simple step.  I moved in and around the class answering questions, doing individual demos on how to mix colors, what brush was best and little tricks to overcome what seemed like artistic confusion. 

Artists At Work !!
Lewis had to remind everyone to stop for water.  Laughter broke out all through the day as we shared personal feelings and "artistic humor."  So far, we each had suffered most of the side effects of being "plein air artists."

Our day came to an end around 3:30.  Our canvases were completely covered with fresh oil paint and we marveled at our own success. 
Tomorrow we would share a day of adding details and more laughter.  Saying goodbye to this wonderful experience would become a good memory for each of us.

A plein air studio with all the right tools.


Before the second day was over, a beautiful sunset dipped into the Gulf and invited us to come back for another glorious experience of painting in the greatest of all studios... that of the great Creator.

Thank you for this day.


What could be better than this occasion?
The next one!!





Friday, March 21, 2014

It's Showtime!


This next week, the crisp air will still be here, but Macon, GA will be covered in soft pink cherry blossoms.  Folks will dig into the back of the closet for anything pink and all will gather on Mulberry Street to stroll up and down the avenue of art displays visiting with friends and people watching the entire way. 
photo: cherry blossoms


For the artists, many of us have been doing this show for almost 30 years.  We have collected the annual "Cherry Blossom" pin, eaten wonderful Greek salads served from the International Foods Tent and gathered with friends to celebrate life.  Everyone looks forward to adding new to their own collection. 

I delivered a very special original to Mississippi this week.  I have waited to talk about it until the owner had a chance to see it first.  Placing an original in a new home is always exciting.

As the new original slipped from it traveling package, everyone in the room held their breath.  It isn't a huge painting, but it has all the power of a mural. 

I had spent weeks in the "mental" mode of this work.  For weeks I drew and painted in my mind, then made trips to the bayous, back bays and anywhere I thought I could find little bit and pieces to feed my hungry imagination. 
Once I could see the painting with all the colours and emotions in my mind,  I would be ready to begin painting... but not before.

Whiskey Bayou

Looking back, I had sketched, photographed and studied the grand old cypress trees across the Gulf Coast for years... even decades.  I had painted several small works with many of the same elements, but never a large work.  This work had been in the making for over 50 years.

For a moment, the room was silent.  The light hit the canvas and the trees and egrets came to life. 
I stood back and watched the new owners embrace the painting with their eyes.  The silence was exciting.

"It's everything we love," he said.

The wife stayed with the painting for more study.  She soon discovered one of the hidden messages:

We are fearfully and wonderfully made...

Psalm 139:12 

 


Back at the studio, there were several other smaller works of the year....  

 This week, they each will be framed and then packed for the shows.  One by one, they will be adopted out and become an important part of another place and time.  One work at a time will mark and record the artistic history of our land part of the world.

Lamotte Bayou

Articles and blogs across the  web and printed world all echo the same concern that so much of the art world has been altered by outside forces to remove the emotional and artistic quality of fine art.  "art shapes" are mass produced with no personal emotion to cover space on walls, tables and space.  Affordable and disposable, America has been an easy target as the world reduces its standards to the opportunity to cause change and generate an easy dollar with no labor or moral standard.  As the space in our souls becomes vacant and we hunger for substance, we consume more of anything seeking to feed the spirit.
Light Of The Coast

Our homes clutter with cheap stuff.  We soon feel choked by the abundance of stuff and become confused as we drag more stuff home and still feel lacking in satisfaction. Such is the demise of a people removed from a foundation based on value and quality. 

An original oil by Donna Peters.  Subject: Bottoms Road, Panacea, FL
Spring On The Coast

We have filled our lives like we fill our bodies.


Foods with little nutritional value are so easy to consume.  We eat as our bodies call for nutrition only to realize that the new foods lack what we need.  In an effort to meet our needs we seek more of the same old stuff and continue to live in lack.

The St. Marks lighthouse, painted by Donna Peters www.donnapeters.com
Winter On The Coast

If you have been able to get out in the spring sunshine to paint, I know how wonderful you feel. 
If you add a small work of quality art to your home, I hope you are inspired to remove several pieces of the "stuff" that has over taken our world in recent years. 


The Art Forger
by 
Shapiro



If you like to paint or collect art, I have a book to suggest. I have found this book entertaining and very informative.  It is an easy read and yet it is very teaching about art materials and strange things that have taken place in the art world for centuries.

We shared this book with the new owners of Whiskey Bayou.  
"How do we know what we are buying?" they asked.

Know the artist, was Lewis' reply. 

See you at a festival this spring!!



Thank you for sharing my blog with your friends.  

Today is a gift of a lifetime.  Fill it with good for yourself and share it with others.  All it takes is a small and soft word of encouragement with a complete stranger.  The blessings you will receive in return are 'fearfully and wonderfully made....'

Donna Peters










Thursday, February 13, 2014

Know thyself...

     Know Thy Art....

A look inside the emotional aspect of creating.    

by Donna Peters

In the weeks after each class I enjoy the many e-mail notes and conversations with those who joined me to paint.  The most common comment is how they feel they suddenly have "new eyes" and a new vision of awareness.

For those who have had this experience, it is very exciting.  Sometimes the growth does not appear in the class, but in the weeks and even years following the classes.  The mind may be miles away from the painting experience when suddenly the eyes and the creative brain awaken and reveal the new understanding of what the eyes have seen all along!

The "ah ha!" moment...


I was painting a marsh scene on location years ago when I took the courage of making a very contrasting stroke of color.  It worked!
 Suddenly the words of a college professor came back to me as if he were standing over my shoulder.

It was my truest ah-ha moment!  I  had finally learned for myself what he had been trying to get me to see.
I had to be grinning!  My investment in college and the wisdom of a great teacher and artist, Richard Brough, had just paid off.  For a moment I was back at the U of A struggling to earn my BFA. I felt as if my whole life now had continuity and certainly a plan of purpose.  The feeling was wonderful.

The Magic of Emotion...

Watching the Olympics this week, I stopped to watch the awards ceremony of a beaming American girl as she stood with great reverence as the Russian band played the American National Anthem.  She was beaming with emotion and near tears, but the music was churned out.  It was evident the musicians did not share her pride and emotion.  Every note was right, in place, in tune, but without emotion.  The sounds made my heart ache, but I knew it was not their fault.  They fulfilled a duty but it was not music!

When art is created on the canvas with the same lack of emotion, the results are the same.  a requirement of performance is fulfilled, but the results are entirely un-fulfilling, empty, without beauty.

One of the last things I try to encourage artists to do as they leave the class vowing to paint more on their own, is to paint what they love....  Paint anything with emotion and you will have a winner.  The subject becomes secondary to the emotion.

We are all attracted to positive emotion in art, music and any personal expression.

So, if you love boats, paint them with passion.  

If you love frogs more, leave the boats alone and go for the frogs! 


When a senior citizen tells me with tears in her eyes that she has waited her entire life for a chance to learn to paint, I realized how blessed I have been to have enjoyed art my entire life.  It is never too late to learn anything.  The rewards are the same, but such a shame to miss the beauty all those lost years!!

Thank you to everyone who joined with me to paint these last 2 months.  

I love watching you grow and bloom!

Donna Peters, artist 


 

I am going to tach a special "plein air" class on the Mississippi Gulf Coast 

May 17 & 18, 2014

The class will be very limited in size so if you want to take part, please sign up now.  We will paint on location that Saturday and then in a pavilion the next day.  We will be painting a small landscape to learn how to capture the emotional qualities from the real thing!

Painting in plein air is the most inspiring artistic experience you can have.  No mater who your instructor or leader is, you will study from the highest power.  



 I hope you will "Follow Me" on this blog so you will not miss my next post.  Everything I offer you here is a serious sharing of what I have learned in my life as an artist.  If I can inspire you to paint... or write, I have have inspired you to live.

Donna Peters 

My "plein air" studio.


 

 

 






Sunday, January 26, 2014

Learn, Laugh and Share



Creative Courage shares with you the last adventures in...

                                                                     Being an artist with Donna Peters

  

A group of oil painters share their second day of a workshop together.


Hobby Lobby
Gulfport, Mississippi
January 18 and 25, 2014




The second day of the workshop was as exciting as the first.  The night before the Gulf Coast had been given a good coating of sleet and ice on the bridges, but by the time the class began at 10 am, the Southern sun had come out with it magical powers and the earth began to warm.
The coffee pot was full, the doughnuts were hot and we were all excited to get started.


The first Saturday everyone on the class had completed a good background and under-painting of the Pottery plate, bowl, apples and strawberries.  The black canvas set the tone for a very saturated color effect and proved to be a very easy start.


The instructor's painting with the "real thing" set up in front.

Special...Demo's



The second Saturday began with a demonstration on how to clean out a turp pot without losing valuable turpentine.  Another demo followed on the basic “anatomy” of a shadow.

There was very little to worry about on the remaining brush work of the painting.  It just needed to be taken one small bite at a time with a good demonstration before each. 
The bowl and the tablecloth were wonderful exercises in how to use very soft rainbow colours to achieve an exciting addition to our composition.  Instead of using dull greys and flat whites, we used a family of “whites” that made the painting come alive.  

Delana has no problem mixing colours!  She loves colour ! 



The table cloth was probably the most obscure or “abstract” element so we worked on it for a very few minutes and then moved to the plate.  Adding small details to each item and moving around  the composition, we avoided frustration and confusion.

Step by step. Demo by demo, we walked thru each small step until our paintings were either finished or very, very close to be complete. 

Lewis took a great group photo so we would have it to remember our 2 wonderful days or growing, learning and laughing together. 
Our final minutes were spent sharing our paintings and admiring the wonderful things about each one.  We delighted in the variety of styles in the class and notes what was good about each. 


There was not one weak painting in the class.  Everyone expressed pleasure and enjoyment, but above all they each felt they had learned many new things about art… and themselves.

The Finished Painting!...well almost.  Where's the sig?


Donna’s note:


I had used my time since the last class on the Mississippi Coast to go out and paint on location.  I chose three locations to work and reserved a day for each.  After visiting each site I noted what time of day would be best for the light on the scene and came back as the weather and time allowed. 

Painting under the "Gateway Oak" in Pascagoula, MS




As I had promised my friends in the class, I brought them each back in… all in an unfinished state.  I will follow up with an e-mail to them with images of the finished works.  “Field sketches” or “plein air” works are my favorite works.  Being on location to smell the salt air, hear the sound of nature and man give me the emotion with which I can paint the magical elements of a great painting. 




The goodbyes are said and we all go back to our own worlds…

   With a promise to get together again in May and paint on location at least one day.




I include here the e-mail I gathered for them with information on easels that are used for painting on location.  The photo shows my personal tools for plein air painting.

Donna's plein air work station


You can order the tripod and other accessories for this one.  Very popular style: below.












Mabef Pochade Boxes




Consider size and weight, but also make note of how large a canvas they will hold.  I don't paint large works outside as it is too much wind risk.  
I would look for an easel that can hold an 11 x 14." 



When I travel, I plan to do many small works so I can keep moving a capturing more scenes so I like the 9 x 12" canvases.  In our class you may want to plan on a canvas about 11 x 14."





To be frugal and not sure you will do much more painting, it would be very practical to get the metal tripod at Hobby Lobby.  A good buy and it can be used later for many other things. (photo above)







 Then you can reward yourself with a good French easel after you do three "plein air" works of art. 

Want to really reward yourself?
Try the Soltec from "Cheap Joe's" on the web...
The Cadillac of field easels! (above)







Cardboard box about $13.

There are many gadgets to carry canvases.  Many are for multi-canvases or for just one side.  When it come down to it, a shallow box the size of your canvas in the car works great.  If you have the handy handle, that will get you to the car and then put the painting in a box.


Another great on lone source for art supplies is: http://www.jerrysartarama.com

Like a Candy Store!

The Schlepper Handle








I had trouble finding the "Canvas Schlepper" like Kathleen had, but here is one place on the web it is listed:
  Shipping is more than the cost of the handle, so get an extra for a friend.





Ya'll are a wonderful class.  

Thank you so much for having the right supplies and being such good artists! 
 I love the way you laughed at yourself and each other.  I see in each of you so many wonderfully good things.
...... I enjoy teaching in part just to be around good people! 

Thank you so much!
Donna and Lewis

Never Overstated








 I encourage you to speak your faith.  

The news is spending all their power to convince us to drop our moral codes.  

They will win if we do not use the same right to maintain and support our standard of values.
  
Let your light shine!!  Talk to everyone about the good things!

See you again soon!
Donna



See my web site for my next class:  www.donnapeters.com



©Copyrighted 2014• Donna Peters 35053• All Rights Reserved